Showing posts with label Matt Smith Karen Gillan David Tennant Steven Moffat. Show all posts
Showing posts with label Matt Smith Karen Gillan David Tennant Steven Moffat. Show all posts

Wednesday, June 30, 2010

Dr Who Series 5


I have been really crap at blogging this year, I am not entirely sure why, but it's the reason I haven't blogged AT ALL about Dr Who apart from my very excited response to Episode 1 here (and I never got onto the Ashes to Ashes finale which I loved, sigh.)
So to make up for it I thought I'd round up my thoughts in general about the new series of Dr Who and how I've coped without David Tennant (sob).

THERE

WILL

BE


SPOILERS


AHEAD


The answer to that is, pretty well, actually. Considering how much in love with DT's Doctor I was, Matt Smith has done a brilliant job of coming up with something new & different from Tennant's Doctor. It doesn't always work - he wasn't very convincing in the Daleks episode for instance, and sometimes I long for the more emotional version of the Doc we had from David Tennant, but for his enthusiasm, bonkersness, and sheer chutzpah, I am really loving this version of the Doctor. It's also great to have him paired with a companion as mad as Amy Pond is, who apart from that brief flirtation when she tried to snog him (oh and yes, as pointed out by Medium Rob her rather callous attempts to do so again on her wedding day, tut, tut, Amy), isn't really interested him, and he isn't at all interested in her, except as the girl who doesn't make sense. This doctor is a bit more detached, and well alien then the previous version, and I rather like him for that.


After the dazzlingly brilliant start to the series, there was I suppose an inevitablity that not even the Moff could keep up that pace (I have to add here, that as not only do I share my maiden name with the writer, barring an extra T, I also share my married name with one of the characters. I am therefore, obliged to love this version of Who(-:), and at times it was rather uneven. As others have pointed out, Moff could really do with editing the scripts he hasn't written better - Amy was poorly served by one or two other writers - Chris Chibnail I am looking at you - and turned at times into a cipher who just did a lot of girly screaming and not much else. She (and we) deserve a lot better then that.


I didn't mind the Daleks episode, which seems on the whole to have been universally loathed, but it wasn't as good as the rest. The Daleks revealed their hand way too soon, and it would have been more fun to have the Doctor trying to persuade everyone they were evil for longer (I did LOVE the Dalek offering tea), plus the guy who played Churchill was a bit crap, so not one of the series' better efforts. I was also not wildly keen on the Silurian double parter, but that was because it was penned by Chris Chibnail who wrote the inexecrably awful first series of Torchwood - and considering that it wasn't as bad as it could have been.


However, I pretty much loved the rest of the series, from Sophie Okenedo's fabulous Liz 10, to Toby Whithouse's vampires in Venice (Vampires? Venice? Written by Toby "Being Human" Whithouse? I couldn't fail to like that one), it's been inventive, fun, and as the Moff has said had a fairytale quality to it.


One thing that didn't quite work initially, as Rory's relationship with Amy - the main questions being why would feisty Amy settle for such a wimp, and why would he stay with someone who is being so horrible to him - which lacked chemistry at the beginning, and until he apparently died in Amy's Choice (another cracking episode - hugely helped by Toby Jones' masterful depiction of the Dream Lord) I didn't think Amy cared a jot about him. However after that point, it was clear that the relationship was deeper then it appeared & his second "death" though it felt a bit repetitive at the time gained extra significance as the series drew to a close. Particularly poignant was the moment in Vincent (crap monster, but otherwise another brilliant & incredibly moving episode), when Van Gogh asks her why she's crying and she doesn't know, and she knows she's forgotten something important but can't remember what, which paralleled with the Doctor's reactions to her forgetting gave a pathos that was much needed. I love Steven Moffat's writing, but I agree again with Medium Rob he doesn't always get the emotional depth that RTD did, and while it has been a nice change to have more restrained emotions, there are moments when RTD would have given it more and Steven Moffat failed to do so, which has meant that at times things have felt flatter then they should.


Having said that, the emotion ratchetted up beautifully for the series finale. Oh God how I loved the series finale. It was such a roller coaster of a ride, and for the first time in a two parter, with Amy shot by Rory, Rory really an Auton, River stuck in the Tardis, and the Doctor locked in the Pandorica I really did believe there was a possibility that this time the Doc might not be able to sort it out. I felt sure Rory wasn't going to live to tell the tale for a third time, at least... I also loved the Rory/Amy storyline - Rory realising Amy had forgotten her, Amy remembering at the point that Rory realises he isn't human, Rory shooting Amy, Rory waiting 2000 years for Amy - Why are you so - human? asks the Doctor, Because right now I'm not, fantastic! - them being reunited in time to forget the Doctor. Wonderful, heart rending, touching stuff.


I know it was a huge cheat for the Doc to get out of the Pandorica with such ease, but oh, the sheer fun of all the time hopping, and the madness of the Fez, and the Pandorica opening in front of Amelia (Caitlin Blackwood was awesome as Amelia, hope she can come back somehow!) and Amy being inside, meant that I didn't care really. Because despite the cheats, and the Doctor being dead, but not really because he was lying, Steven Moffat tied up the loose ends and the odd bits (like the Doctor coming back to Amy in Flesh and Stone - a scene I found really touching first time around seeing it from Amy's pov, but had such added resonance when we realised what the Doctor was actually saying to her & why it was so important for her to remember what he'd told her when she was seven. Just realised I haven't mentioned The Time of Angels/Flesh and Stone - two of my favourite episodes this series, for a) having River Song in them,let's here it for River! and b) bringing the angels back and making them scarier), and also left some things unresolved. So we still don't know why silence will fall or who is saying it (I don't know why, but I keep thinking of poor mad Dalek Caan, sounds like the sort of thing he'd say, if he hasn't been rewritten in this new improved universe), nor do we know why the Tardis exploded. And from what River said to the Doctor at the end, it sounds like we're going to find out who she really is, tantalisingly soon.


River Song has been one of the best bits of this new series for me - she's a match for the Doctor, the witty repartee between them is top notch (I loved the Honey, I'm Home/You're late exchange, fabulous!), and as the series drew to an end I think their relationship has deepened and become more interesting. I can't wait to find out what's going on there.


So, while I still miss David Tennant, and I am at times finding the tone of the new series so different from the old as to be a bit jarring, overall I think this has been my favourite series so far. There were some misses, but not many, it could do with more emotion, and I hope they get the script editing sorted next time, but it was fun, it was exciting, it felt different and new again.

Do I really have to wait till Christmas to see Matt Smith in action again?


Dammit, I do.


PS The proof of the pudding is that the kids who were so attached to David Tennant they were threatening not to watch the new series have been totally blown away too. Top marks Mr Moffat, top marks...

Friday, April 09, 2010

Better late then never...

... And about a thousand years after all the other Whovians online, here's my response to New Nu Who.

What can I say? It's the Easter holidays, I was away last week, and have painting a bedroom this week, so I haven't had any time to blog about the return of two of my favourite TV programmes (Thanks BBC for bringing Ashes to Ashes back the same weekend as Dr Who, magic...)

Anyway on to the new Doctor. Unlike a lot of people it seems, I wasn't too worried about Matt Smith. I'd seen (and liked) him in Party Animals, I think he has a very alien face, and I loved his opening lines at the end of the last Special. Plus, Steven Moffat is in charge. Steven Moffat who's written every single one of my favourite Nu Who episodes. Of course I would have loved to see David Tennant go on for ever, but I suspect we all might have got sick of him in the end, and part of the joy and brilliance of Dr Who, by the very nature of having a hero who periodically changes, is that it can constantly reinvent itself. And hurrah for that.

So, I was prepared to like it. I was prepared to even forgo the loss of David Tennant for the sake of Steven Moffat's writing, but I wasn't prepared to be so utterly blown away by last week's opener. It felt invigorating, energising, and most of all fresh again. I was just as excited as I was five years ago when Dr Who returned with Christopher Ecceleston. Spouse and I sat down to watch it rather nervously, wondering what RTD would do to our favourite nostalgic TV show, and then as now we were blown away by the sheer fun and raw energy of it. That fun and energy has ebbed away of late, much as I loved DT's swansong, so it's nice to get it back again, even if, being Steven Moffat we got a lot of monsters under the bed too.

From the moment the Doctor burst into young Amelia Pond's life, it felt like we were on a roller coaster - I loved the swimming pool in the library, the way he kept twitching, the food thing (fishfingers in custard - inspired!!). I loved young Amelia/Amy. Loved it that he came back twelve years too late. Loved grown up Amy handcuffing him to get some answers. Loved her calling him the Raggedy Doctor. Loved the scary aliens. Loved the retro feeling (both the village green and the hospital reminded me of the Jon Pertwee era). Well, I just loved the whole thing really.

I didn't love the new theme tune, but hey, that's a minor quibble. In five minutes Matt Smith made himself the Doctor and pretty much eradicated all thoughts of David Tennant from my mind. Pretty impressive (though I can't fancy someone who is young enough to be my son). I think I am going to really enjoy this version of the Doctor, he's quirky, bonkers and fun, while Amy is clearly going to be a match for him.

SO Woohoo, for new Nu Who. Can't wait until tomorrow.


Lucky I have Ashes to Ashes to keep me going till then isn't it?