Showing posts with label Annie. Show all posts
Showing posts with label Annie. Show all posts

Monday, February 01, 2010

Being Human Series 2



Last year I blogged here ,(rather incoherently )here, here and here about Being Human, which was my favourite programme of 2009. I loved it so much I was desperate for the new series to start, and so far while it hasn't quite matched the dizzy heights of last year, neither has it disappointed. I would have blogged about it earlier, but life has been a tad busy, and you may have noticed I haven't been blogging much at all anyway. But last night's episode was soooo good, I couldn't put it off any more, and have to do a bit of squeeing and say, yaayyyy, for Being Human being back, yaaayyyy for Gorgeous George, yaaayyyy last night for Tough Annie, yaaaayyyy for Moody Mitchell's moral dilemmas and yaayyyy for Toby Whithouse for coming up with something so inventive.

As usual....


There



Will



Be


Spoilers



And


A

Bit


of


Squeeing


If


You


Can


Stand


It.



I have to fess up to having felt a little let down by episode 1. It didn't help that we missed the first five minutes and children kept coming and interrupting us so I didn't have my full attention on it, but I just didn't quite enjoy it as much as I'd hoped. Firstly, it seemed a little flat - maybe this is natural, after all, the whole concept isn't new and fresh like it was last year, the immediate threat from Herrick and the vampires has gone (leaving not only Mitchell without purpose, as George points out, but perhaps the series too), Annie seemed to have gone back to being vapid and girly again, George was mean and moody and dark (though I liked that actually, for once I didn't like him), and I was at a loss to see the point of Daisy and Ivan pitching up and Daisy seducing George. It also lacked focus, in that I wasn't quite sure who the baddies were this time - the slightly insane Christian group who appear to be trying to cure werewolves by injecting them with something and putting them in a pressure chamber to stop the change happening. Only so far it's a bit disastrous as the werewolves can't cope with pressure and tend to have their brains spattered against the walls - or Daisy and Ivan, who just seem there to cause mischief.

However, I did go back and rewatch it on iplayer, and it worked better on a second viewing. It is still very much a picking up the pieces, where do we go from here, kind of episode, but there are some funny moments - Mitchell meeting Lucy in the loos & telling her "As much as I sympathise if we're comparing isolation and disappointment I think I win", and realising as far as women are concerned he's turned into George - and some extremely touching moments, when Nina finally reveals to George that she is a werewolf too, and George stops Daisy from killing her daughter. Not quite up to par with last year, but still good, because of top notch performances from everyone, including of course lovely Russell Tovey as George, who thankfully by the end of the episode had got over his grumpiness and was sad in pain, sweet George once again.

Episode two was much better, but again we watched it in a fairly disjointed fashion as we missed the first fifteen minutes, and then watched them later to try and find out what we'd not seen, which didn't really work. Thank god for iplayer, eh? Cos watching it again it all made much more sense. I loved this episode, it was really really scary, with Annie, being befriended by Saul, a man she's met in the pub, only for it turn out that Saul has had a near death experience and is having visions from tvs and radios telling him to get Annie to come with him. The creepiest of these was via Terry Wogan on Perfect Recall (a programme I didn't know even existed till I coincidentally caught it a couple of days later). I love Wogan as blog readers probably know (and am still mourning his loss in the mornings), and I thought he was a brilliant choice for this role - delivering his lines with his usual avuncular style but with a dash of hidden menace which gave the whole thing panache. Top casting, and really really spooky. And I never thought I'd say that about Terry Wogan.

In the meantime, Nina is having issues with George about the whole werewolf thing, and Mitchell is having huge issues with the vampires. Thanks to the loss of Herrick, there is no longer a system for disposing of incovenient dead bodies - and one turns up in the shape of the human lover of one of Mitchell's vampire friends, Karl. Despite Karl being clean for years, he has finally given into his desires and ended up killing his lover (oh what an understatement, when asked how the lover looked, Karl says, "disappointed"), and now, there is no system to cover it up. So Mitchell arranges for Karl to fake a suicide and then he and George, with the help of Ivan spirit the body out of the hospital, and away to a new life in Brazil.

While all of this is going on, Annie has problems of her own - the spooky voices on the tv having persuaded Saul it's a really good idea to drink loads and go out for a little drive, with the inevitable consequences. Annie duly turns up at Saul's bedside, only for her to discover, when he dies, and a door appears in the ward, that she and Saul have both been tricked by the voices on the other side. In a totally nightmarish sequence, which scared the bejeesus out of me in a squeeing kind of way, Saul tries to drag her through the door, while all the radio plays music (not quite sure what it was but fab choice) , and the voice talks about the men with sticks and ropes, and black black feathers (eek) waiting to play with Annie on the other side. Fortunately for Annie, Saul decides he can't do it and as George falls into the room, Annie is sitting shocked as the door has slammed shut with Saul behind it. Do you know, I hope we NEVER get to see what's behind the door, because I know it will be a disappointment...

If that wasn't enough to freak me out, when Annie turns up at her next shift at the pub, Hugh, the landlord who's been in love with her can no longer see her, and Nina ends up leaving George at the end of the episode, telling Mitchell they've all gone native, only to fall into the hands of creepy Christian guy at the end (in ep 1 the creepy Christians managed to bug the flat so they know all about Nina)...

By episode 3 I felt Being Human was getting back into its stride - it started with a blackly funny flashback to the 16th century when the tunnels under Bristol were used by Witchfinder Generals (or perhaps Vampirefinder Generals - wonder if any of them were called Van Helsing?) to flush out the vampires living there. There was a horribly funny moment when the Vampirefinder General was readng out their punishment and stopped to ask his assistant to move the light so he could read better, before sending them all to have their teeth smashed out and leaving them stuck down in the dark. Properly nasty that.

Back to the present day, and it appears that vampires are running amok in Bristol, without Herrick to control them, nothing is preventing them coming out to play. Mitchell's new love interest, Lucy, who's a doctor at the hospital, was already joking about the gay vampire lover last week, and now has a patient whose girlfriend has been killed, and who has come in with puncture wounds to his neck. Mitchell realises this has got to stop, and is forced into an unholy alliance with the chief of police, who though human was in cahoots with Herrick and will keep the "process" going if it means the vampires can pay him off, and they concentrate on killing lowlives to keep the crime rate down. I loved this episode - once again, Mitchell is trying to do the right thing, but in order to do so, he has to take some morally dubious decisions. First of all, agreeing to blackmail the human pathologist who has refused to sign anymore false death certificates, by threatening his grandchildren, and then more horrifically having to prove to the rest of the vampires he is really in charge. Egged on by Daisy who points out quite rightly, that Mitchell (who wants them all to go clean ) is asking them to do something against their nature, Mitchell tries to take control of the situation, getting the system back in place, by getting the vampires back at work in the funeral parlour, just as they had been under Herrick.

Contrasting the darkness of this, Annie decides to get Hugh back with his ex girlfriend, by making George go out with her and being so rubbish about it, she'll realise what she's missing in Hugh. This leads to some very funny scenes, with George sure she'll hate it if he takes her to a subtitled German film, only for it to be her favourite type of movie, and then thinking she'll hate being taken for a kebab afterwards, which of course she loves. His piece de resistance, to read a very very bad poem (which he'd composed for Nina), ends up with her throwing her arms round his neck, and snogging him silly.

There's also a hilarious sequence when Annie tries to get them to have a flat meeting (Mitchell, being otherwise preoccupied hasn't been pulling his weight), and instead of talking their problems through and team building, the boys demonsrate how much from Mars they are by deciding all they need to do is get pissed down the pub, and then Mitchell has a huge and extremely funny hissy fit when he realises that The Real Hustle's schedule has been changed, which is the straw that breaks the camel's back.

The relationship between Mitchell and George is also explored rather poignantly, when George tells Mitchell he's missed having his best friend around, and Mitchell tells him he should grow up, and stop feeling so sorry for himself, he says that's what's mates are for. What? says George, to be insensitive? No, says Mitchell, to tell each other the truth. I felt like cheering - it's those little moments in Being Human that make it so fab - the relationships between them are so strong and their frailties so human, you accept the moral difficulties they have, even if in Mitchell's case they are taking him into a very dark place indeed.

Having sorted out the problem of the boy in hospital with puncture wounds on his neck (simple, dodgy chief of police sends in colleague to inject him with something and make it look, rather uconvincingly like suicide), Mitchell then ends up with another problem in the shape of Cara, who takes it upon herself to attack two fifteen year old girls in a shopping centre. Cara, is probably the most gross of the vampires - a not very bright former cafe assistant, turned by Herrick because he was bored, she has become lost since her "father" died, and doesn't understand at all the constraints Mitchell is trying to place on the vampires. Mitchell cannot allow her to go freelance in this way, and once again, challenged by Daisy, takes her down to the vaults underground, where the vampires eventually adopted the same punishments as the humans did, to control those who need it. One of Being Human's greatest strengths is subverting expectation, and suddenly, from having despised and loathed Cara, when Mitchell took her down there, knocked her tooth out and left her sobbing in the dark, I felt immense pity - not even Cara deserves that fate, and it makes me wonder where this is going for Mitchell. Is he going to end up Macbeth like steeped in blood so deep, he's going to return to drinking? The scene where the vampires cheered him as their new king was heady and terrifying - what IF Mitchell becomes the new Herrick? I love the possiblity of that happening, even if I want Mitchell to stay on the straight and narrow.

George in the meantime takes heed of Mitchell's strictures that he should take responsibility and goes to Hugh's ex, Kirsty, and reveals that he hasn't been honest with her as he's still in love with someone else, leading to an unusually happy note as Kirsty and Hugh get back together. George of course isn't allowed to be happy, so the episode ends with Nina ringing to say goodbye, and making him promise that he will start a new life and live it properly for her. And in between sobbing for George and Nina (you have to you know, they are so meant to be together and clearly cannot be on account of their both being werewolves, and presumably in time having lots of little werewolf babies), I got the shock of my life, when it turns out that not only has Nina got conned into the whole weird Christian thing,but the doctor helping her is LUCY. Oh boy I so did not see that coming. Well done BH team for THAT twist...

I felt SURE this would mean that Nina was for the chop this week. Like I say, I cannot see a happy ending for her and George, much as I want to (and I think it would imbalance the trio of George, Mitchell and Annie - maybe part of the problem with ep 1 was that Nina was in the mix and it didn't quite work), so I felt sure we were going to see her head exploding in that pressure chamber, but it didn't work out like that...

I have to say this episode returned to proper Being Human form for the first time. It was very very funny in places - George writing himself lists to get his life back on track, getting a job in a language school and teaching this students bad language, Mitchell being offered an emo to suck, as she's advertised for it, George and Mitchell behaving like Annie's two dads when she brings home a ghost who saved her from going through another door, George developing Werewolf Tourette's after his plan to put the werewolf to sleep while he changes goes horribly wrong...

And of course this is all interwoven with the usual dark stuff, and boy was some of it dark. Annie's facing up to the realisation that the people behind the door are going to come and get her, and begs Sykes, the ghost who's saved her for help. At first he refuses, but she persuades him and soon he' s teaching her to spot auras, turn off scary tv/radios when the people behind the door start speaking through them, and eventually (in a brilliant Annie on top and in control, yayyy to that woman moment), how to close the door when it opens. He seems to have helped her, and I think he's on her side, but I am not entirely sure. In Being Human, anything can happen, so I wouldn't be surprised if Sykes pitches up later and turns out to be on the side of the men behind the door.

George has thrown himself head first into his new job and new life, even finding himself a potential new love interest (which is taking Nina's advice a little too literally if you ask me), emboldened by his discovery that he can put the werewolf to sleep with tranquilizers, and lock him up in the cage George has had built for this purpose (of course he has now become known in Bristol for S&M activities, but in George world that's better then being a suspected werewolf(-:) Unfortunately, the bi product of this is the wolf is pretty pissed off and is taking over George at random times in the day, leading to his Tourette's style swearing, and over aggression, which eventually leads him to beat up the smarmy head of the college George teaches at, for sneering at him for fancying the college secretary. To see George's loss of control and realisation of what he's done is heartbreaking, because as ever he's been trying to do the right thing and it's all gone horribly wrong.

Mitchell's attempts to get the vampires clean, seem to be working somewhat better, especially when he manages to persuade Ivan (who as the oldest vampire among them carries much weight) on board. Of course, nothing is that simple, and Ivan can't do it, so now he's going to Mitchell's BA meetings and swearing blind that he's given up the red stuff, when Mitchell knows he needs feeding and ends up giving him to the emo who Mitchell rejected at the beginning. Oh Mitchell, you're on a slippery path now...

In the meantime, when it looks like Nina's head is going to be exploded against the pressure chamber, Lucy persuades them to stop - we see from her back story she's written a thesis about an evil gene, and mad Christian man has persuaded her to join him, so she can actually research it. But Lucy is clearly having doubts, pointing out that Mitchell is trying to get the vampires clean, while mad Christian man, is sure that now the system is back in place Mitchell is reverting to type, because vampires can't be saved....

I absolutely loved this episode, it was sharp, witty, scary, tense - and every bit as squee making as any of the episodes last year. I think series 2 has finally discovered its groove, and I can't wait to see what next week brings (Mitchell falling off the wagon and Lucy potentially putting a stake in his heart by the looks of it...). AND I've just realised we're only half way through as this series of Being Human has eight episode. Squee, squee, and squee some more....

Monday, February 23, 2009

In which I blog ever so slightly incoherently about Being Human...


And squee probably a lot.






There will also be spoilers.






So....






if you don't like squeeing...








or spoilering...









or indeed incoherent ramblings about a TV show which features a vampire, a werewolf and a ghost...






or even more incomprehensibly you don't actually like programmes about a vampire, a werewolf and a ghost...





Then look away now.







Right.






Hoping anyone left is as much of a fangirl/boy of Being Human as I am turning into.






Now we can begin...






A few weeks ago, I posted about episode one of this series here. I really enjoyed the pilot and the first episode, and was slightly worried, as you are when you discover a new favourite that the rest of the series might not live up to its promise.



Happily Being Human not only has lived up to promise, but exceeded expectations. It really is very dark - people die/get hurt, we feel the characters' pain, from George's horrific werewolf transformations (though, less said about the werewolf the better), to Mitchell's horror at what he is/has done to Lauren, and Annie's grief about not only the loss of her fiance, but the loss of her life. But as well as being dark, Being Human is also immensely funny - George is frequently hilarious as he squeaks about the horror of being a monster, and Annie's PMT ghostly moments are also great. I loved George's line about for once being the person with the interesting news at the end of episode 3 when he bursts into announce he's finally managed to have sex, only to discover Annie in the throes of deep depression because she's discovered what we suspected all along, that her fiance, Owen, has in fact killed her.


Before last night's episode, my favourite episode had to be episode 3, featuring as it did an eighties ghost, who helped Annie come out of her shell, and was EXACTLY like any number of boys I knew in my student days in Liverpool. From the shiny shirt, to the northern accent, to the crap dancing to Sisters of Mercy/Lords of the New Church type music, to the obsession with Morrisey and left wing politics, he was perfect. And from starting out as an annoying little tit, by the end you were totally absorbed by his story, and the sweetness of discovering that he had only hung around because in his real life he had never experienced love till he met Annie. As frequently happens in Being Human, your expectations of what is to come next are subverted, and you are frequently left thinking, I didn't see THAT coming...


Which isn't to say I didn't enjoy George's coming to terms with being a werewolf, when he gets to meet Tully, the werewolf who created him, because I did (crap werewolf costumes notwithstanding). I love George, for being heroic in a geeky slightly camp way. I love the way his voice goes all squeaky when he is trying to be brave and heroic, and how tries anyway. Ah, Russell, little did I know when I watched The History Boys, I'd fall in love with you playing a werewolf...


Mitchell of course, is the properly sexy hero - as a vampire he has to be. He oozes charm and the slight edge of menace, but his ability to hold onto something of his humanity, and his constant battle not to give into his urges - at one point when George expressses disquiet that he has killed someone they know, he tells George that he has to manage his condition every day, whereas George only gets to do that once a month. From the moment when Lauren pitches up and he doesn't kill the girl in episode one, you really tap into Mitchell's pain. He is at odds with what he is, he hates what he's done to Lauren, but yet to try and protect her, he tries to help her even though he finds the blood sharing she needs abhorrent.


The only episode that didn't quite hit the right note, was last week's, when Mitchell befriends a boy in the street, and ends up accused of paeodophilia. Although I liked that notion of the mob turning on them, and the question of who are the monsters, humanity or the flatmates? the storyline didn't quite work as effectively as other episodes. And apart from anything else, Annie's poltergeist tendencies didn't get explored anything like as much as they deserved to be. (Although, in another shocking twist at the end of episode three, having first thought Owen was the baddie, I had totally been hooked into thinking he wasn't, so discovering he HAD murdered Annie was a huge shock.) The shock ending of episode four was the little boy dying in a car crash, and Mitchell "saving" him by turning him into a vampire.


But any carping I might have had about episode four gives way to total awe and much squeeing and incoherence for Episode 5.


Mitchell turning to the dark side. Thinking he's doing the right thing, yet we know Herrick isn't to be trusted.


Annie failing to scare Owen. Annie going completely into decline until George goes all manly (George!) and demands she helps their friend.


Annie and the Chair. George and the Chair. George knocking Seth out with his Star of David.


Mitchell discovering what Herrick's really up to. Run that by me again? A blood farm in the basement of the hospital. I did a double take on that one.


Suddenly realising Mitchell is in the shit.


Annie and the Chair.


Oh good they're getting away.


Oh no. They're not.


Oh fuck. Here's Lauren, she's going to rub Mitchell's nose in it.


Wrong again, she's just stabbed Seth was a stake....


Talk about edge of your seat stuff.


And that was WITHOUT Mitchell saving Lauren by killing her, and the poignancy of her not wanting to lose what was left of the human Lauren to the vampires (and I hadn't had ANY sympathy with her up till now)...


And WITHOUT Annie finally standing up to Owen (god I'd forgotten that - Owen was such a bastard. And it was such a brilliant metaphor for crappy relationships where one person has all the power), and THEN finding her door.

And she's going to go through it. But she can't.

It's ony episode five. And there has to be another series. I can't stand it if there isn't another series...


And there's a knock on the door. And they don't answer it.


And then Mitchell does.


And OH FUCK. I so didn't see that.


So episode 5 ends with Mitchell with a stake in his heart, Annie dithering about going through the door, and George screaming at her to go.


What a brilliant cliff hanger...


Told you it was incoherent.


But if you haven't been watching, why not??? And what are you waiting for? I believe all five episodes are STILL available on i-player...


Me, I'm hanging on in there for episode 6.....

Friday, August 01, 2008

The Downside...

...of the kids going to Stagecoach all week is that they are putting on a show this afternoon, and I have had to put up with them singing this every day...




Although I have to say I'd prefer listening to A Hard Knock Life then that bloody Tomorrow song...

And I don't mind this one. But then I'm a big fan of Oliver!



Although truth be known my favourite song is this one, which I find terribly affecting. It must be Mark Lester's cute little face...



No4 is also delighted to be singing this, as after having seen The Sound of Music she decided as the youngest in the family she is destined to play Gretl. Although, alas, not today...




They have also quite hilariously tried to demonstrate this one to me this morning no 4 dressed as a tiger and no 3 as a lion. No 1 refused to take part because she hates her off the shoulder leopardskin costume so much I am banned from videoing this afternoon's great performance. No2 sang the first bit then decided the whole thing was too embarrassing for words so marched off. I have a feeling Disney did it somewhat better...



There has been much excitement in the house about this great event - despite nos 1&2 inevitably bitching about the unfairness of not having major roles (that's showbusiness, kids, get used to it!). No 4 has been obsessing about her costumes since Monday. Most of it's provided (thank god), but I had to find some ripped shirts and rub them with coal (Coal???? who has coal in these centrally heated times?). I provided an old school shirt, but this wasn't good enough, so no 4 unilaterally decided to cut up another shirt which wasn't quite so old. Nos 2&3 spent yesterday afternoon sewing patches on their orphan dresses (I will no doubt be sitting on needles for months), and then no3 spent a happy time in the vegetable patch rolling hers in mud, while no 2 squeezed teabags over hers to get the desired raggedy look effect.

I could have done without the costume palaver, but they've had a blast.

And on the upside I've written 10 000 words this week, and am nearly at the 30 000 mark. I'm roughly a quarter of the way through, which means if I can keep doing little bits over the summer I won't be in such dire straits as I was at the start of last school year when I stopped writing for about six weeks, got stuck very heavily into no 1's startingsecondaryschool traumas which left me no emotional energy and severely dented my ability to write, and had a panicky time trying to meet my deadline.

On the other hand, knowing how my life works, I'm sure there'll be a new domestic crisis which will bite me on the backside just to make sure I end up racing to the end at breakneck speed.

Still, I probably couldn't do it all if I actually had TIME to...